Connected TV explained

Interesting slideshare from The Prophets

A prophets view on the nearby future of TV: connected TV. How television becomes smart and connected by adding computer & internet features. Presentation by Björn Joos, partner at prophets.

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ARTISTS INVITED TO ENRICH OUR FUTURE WITH THE NBN

Great initiative from The Arts Council and the NBN

Artists are invited to propose innovative arts projects that utilise next generation high-capacity broadband enabled by the National Broadband Network. The Broadband Arts Initiative will support artistic teams with up to $100,000 to develop and present their project enabled by the NBN.

Expressions of interest for the Broadband Arts Initiative are due to the Australia Council by 15 February 2012. See complete application guidelines for eligibility and selection criteria for this initiative and contact Australia Council staff to discuss your proposal ideas.

More info here:
http://www.australiacouncil.gov.au/news/items/news_features/broadband_arts_initiative

Digital People 2011

Earlier in the year I was interviewed by Denise Shrivell for her Digital People series in Digital Ministry.

Digital Ministry have just published the compilation of the 2011 Roll Call – quite an impressive and elcectic bunch

Welcome to the final Digital People for the year where we offer an overview of the 19 profiles presented during 2011. This year the measurement issue has given way to two further themes being exchanges & automation of the digital media trading process & issues surrounding talent, recruitment & training of digital media talent. Thanks to everyone who participated & supported Digital People….

Update on Louis CK

Paul, a colleague of mine sent me this newsletter from Bob Lefsetz outlining the philosophies of the Louis CK live webcast

From: Bob Lefsetz
Subject: Louie C.K.
Date: 15 December 2011 5:03:01 PM AEDT
To: xxxxx

He brushed aside college and went straight to the clubs. He went all in, like a gambler in Vegas. And his career was riddled with one failure after another, can you say “Pootie Tang”? But he kept on keepin’ on and now he’s the number one Internet sensation, I’ve gotten more e-mail about the distribution of his Beacon show on the Net than any other subject in months. What have we learned?

1. It’s a long way to the top if you wanna rock ‘n roll.

You can go on a TV show, your name can be known by millions, but that doesn’t mean you’ve got any staying power. If you want a notch in your belt, a line in your resume, go for instant fame… But I’ve got to tell you, so many of the flashes in the pan, especially the reality TV stars, are ashamed of their notoriety and would give anything to have it fade away and never radiate. Sure, there are those still trumpeting their moment in the sun, but they’re such creepy losers we want nothing to do with them.

To be great, you’ve got to make mistakes. Louie’s FX show may have been nominated for an Emmy, but “Lucky Louie” on HBO was canceled and forgotten. It’s kind of like signing a major label deal and failing to connect and going out and making it anyway. But today people want the label to do all the work and are sour grapes when they don’t make it. You’re on your own baby, nowhere as much as in show business, where they’re lining up to replace you.

No one arrives instantly formed. I’ve known of Louie for years, but only now has he connected, only now, having matured in years, has he refined his comedy to the point where the masses can relate. He hasn’t forgone his edge, but now he can show his heart.

Someone sent me a Kickstarter campaign for an 11 year old who wants to make a CD. That’s what I want to hear, the wit and wisdom of middle school. Why do we keep on listening to the prognostications and idiocies of the young and stupid when anybody with a brain knows that wisdom comes with age?

What is Kim Kardashian gonna do in ten years?

The same thing Paris Hilton is doing. Drugs. And trying to find a spot in a society that has no place for her.

2. It’s all about your tribe.

Without a fan base, without an audience, Louis C.K.’s Beacon video would have fallen on deaf ears. You can pay a publicist to get you on “Entertainment Tonight”, just don’t expect anybody to care.

People still believe if you can just cross that threshold, you’re in the club. And the way to get there is by signing a deal with a major or working the publicity angle so damn hard that everybody knows you and you’re made.

But you’re not.

Linda Chorney may have gamed the Grammy system, may have even gotten a bit of mainstream publicity, but is anybody listening to her music, has she gained any real fans?

No.

So she can post her nomination certificate on her wall, has a story to tell, but she’s moved the ball not an inch as an artist.

It’s easy to be famous.

It’s hard to have fans.

The Internet video sale only worked because Louie had fans. First and foremost who were aware of what he was doing. We’re all on information overload. You can put out the press release, the paper can even print it, that does not mean the target audience sees it. You’ve got to have people who follow you, you’ve got to earn their trust to the point they’re paying attention to you on a regular basis. You don’t do this by yelling at them, but by creating work they value.

3. Publicity is a byproduct, it comes after the fact.

I guarantee you Louie had no idea this story would become an Internet sensation. You just do the work, you never know what will happen. He did one Q&A on Reddit, posted a bit on his homepage and suddenly people were forwarding his words around the globe.

This is the story of the 99%. We want to embrace our own, put them on a rocket to the top. We hate being talked down to, sold to, we’re sick of homogenized crap made for everyone that appeals to no one. Louie didn’t edit his act for popular consumption, the fact that he was his true self blew this thing up.

4. This is proof of concept.

That you can do it without the machine. But don’t expect the floodgates to open. The first mover gets all the attention. And most people just don’t want to put in that much work. They’d rather have someone else do it. But if you want control, and art is all about control, you’ve got to do it yourself. And the great thing about having success on your own is you get all the money. Which in this case could end up being less than a traditional outlet might pay Louie, but the name recognition and status achieved through the Internet sale is worth MILLIONS!

5. Trust is key.

Louie didn’t try to screw his customers with DRM and regional locks. That’s for the fat cats at the movie studio, the 1%ers. That’s why the entertainment business is in trouble, it’s on the wrong side, that of the clubby fly private rich as opposed to the unwashed minions keeping them alive. You can put up all the barriers you want, they’ll never hold the public back. We see this in politics and it applies in business too. You’re in bed with your customers, never forget it. And I’m sure plenty of people torrented this show, but maybe the non-payers weren’t really fans and now will become ones. Furthermore, fans paying for Louie C.K. is like Wisconsinites investing in the Green Bay Packers. There’s no return, just the honor of being involved. What kind of messed up world do we live in where people believe in sports teams more than musicians? The players are two-dimensional, artists turn sideways and there’s still something there. But today’s big time “artists” have capitulated to the
system. We love those who break the rules, like Radiohead and Louie C.K.

6. The future.

This is a milestone. Radiohead’s pay what you want model wasn’t repeatable, but it paved the way for artists doing it for themselves, when the winners take chances, when they don’t play along with the money, it turns heads, it inspires people. Arcade Fire not selling out, not making a deal with a major, showed that it could be done. Everybody won’t be selling their concert videos online and making hundreds of thousands of dollars but when given no opportunities by the man, they’ll see they can do it another way.

One of the reasons artists have lost power is they no longer lead. It’s kind of like our President. He’s so busy appeasing people that even his natural constituency is turned off. Hell, the public has no idea where it’s going, it needs those with experience, with attention, to take risks and lead the way. And they must do this unencumbered by the system. We’re mired in school, we work for the man, our artists are supposed to inspire us, not shrug their shoulders and say they’ve got no option but to rip us off.

People are excited by the possibilities Louie C.K.’s move has uncovered. You don’t have to do it the traditional way.

But no one’s gonna care if you don’t have the goods. A great marketing plan is irrelevant if the product sucks.

And a great artist doesn’t repeat what someone else has already done but tweaks it, improves it, makes it his own.

The dam has been opened.

But really, only a trickle has seeped out.

But our entire nation, the whole world is sick and tired of being abused and told they’ve got no power. John Lennon was right, POWER TO THE PEOPLE, RIGHT ON!

Buy The Thing: https://buy.louisck.net/

The Reddit Q&A: http://bit.ly/s9ZGMB

A synopsis of the story (so you don’t have to read the entire Reddit Q&A): http://bit.ly/vHFJz7

AND MOST IMPORTANTLY, LOUIE’S STATEMENT: https://buy.louisck.net/statement

Louis CK beats the media giants – Direct downloads turn a healthy profit

Nicks top tip for 2012 – pay-per-view and subscription monetisation comes of age.
Having done thusands of live streams over the last decade, very very few have been implemented with revenue generation in mind – they’ve all been about marketing, and brand, engagement and interactivity. Building an audience. But once you have an audience and a healthy library of back catalogue, monetisation can become an option.

Consumers have traditionally expected content on the internet is free, but the tide is turning – The Australian has gone behind a Paywall in November and more will follow suit

JB HiFi just released their subscription based music streaming service.

At present, the cost of implementing Pay-Per-View will be higher than the revenue for one off gigs – it only works at present for repeat events, but this case study from Louis CK brought up some interesting figures. And full marks to Louis CK for being so candidly open about his budget.

Article in The Chortle
Louis CK made a profit from the stand-up special he released as a $5 download in just 12 hours.
He bypassed the traditional DVD distributors to offer the hour-long show direct to fans. And now, just four days after its release, free of copy protection, he has already earned $200,000 (around £128,000) from it.

Blast from the past – ksubi live fashion show

Got followed on twitter today by Cassandra Swaby @cassandraswaby from Milk Money Films and was having trouble recalling where I knew the name from.

Clicking through to their showcase on their website, I recalled they did the production for the ksubi re-launch at the Sydney Fashion Festival show a few years back
We live streamed the fashion show from the Royal Hall of Industries into the ksubi website.

Ksubi 10 Year Fashion Parade from Milkmoney on Vimeo.

You can read the Viocorp Showcase case study here

Brought back good memories of a good gig to be involved in.

Would love to know what the soundtrack is though – should get on Shazam and find out.

Some press in IT wire

I got interviewed ooh at least 3 months ago by Richard Raber for IT Wire, Australia’s most read independent technology news source. on the role that online video plays for brands these days
I’d completely forgotten about it when my Google Alerts brought the following article to my attention

Web video content a steady and powerful creeper

I recently chatted with Nick Bolton, Head of Media and Entertainment at internet broadcasting company – Viocorp.
Nick predicts an online future where “brands will become broadcasters”. He foresees a variation on the current model whereby reality TV shows like ‘The Block’ currently has appropriate and loyal sponsors/advertisers. “A franchise like Bunnings will probably have its own TV show streaming on its own IPTV portal with a series of ‘How To’ videos”.
Nick sees a future where every major retailer (and not so major) will have its own online TV channel.

More judging – The Aimia Awards

Very much looking forward to this years judging of the Aimia Awards, the 18th in total which is a commendable effort for the digital industry.
I’ve won a few in my time which is a great thrill and honour.

Got a great category this year as well – Entertainment! I’ll post some thoughts on my judging after the Awards ceremony.

The party is always a great great night, and usually a rather painful morning after!

Last years was at Sydney’s Cockatoo Island and it was obviously popular as its returning there again in March 2012.

Still Standing project for The Salvation Army

Sometimes in my job it can get a bit tedious hearing the usual corporate marketing speak. But some projects at times make you feel that what you do is worthwile.

Australia is prone to many natural disasters and the (social) media commentary during these occasions is tsunami like, to pardon a bad pun.

What is unknown is that whilst at the time its devastatingly tragic for those involved, the pain often hits months or years after, as the centre of attention moves elsewhere. I personally felt it myself when my Mum died. The hardest part was a year on when friends, quite naturally and understandably, stopped asking after me.

Suicide and depression is a very real and difficult issue for survivors of natural disaters.

So when we were asked to help publish a film by The Salvation Army, it subject matter was something very close to me.

Take the time to watch it – its beautifully shot and provides a great source of comfort and inspiration.

www.stillstanding.com.au