Optus One80 Project

Great. Australia Day and its raining. Bang goes my plans

Well an enjoyable hour was spent viewing the ten finalists in this years One80 Project run by MTV and sponsored by Optus

On the whole, I really enjoyed the overall quality of the top ten, with some excellent production values delivering some great concepts.

View the top ten here and vote yourself

My favourite was Deadbeat Dads – Three deadbeat dads. Three troubled kids. One second chance.
Why? Really felt there would be a great character driven, comtemporary film to be made here, with equal parts humour and tenderness.

Deadbeat Dads from ONE80PROJECT on Vimeo.

Synopsis:
When a single mother passes away, her children’s three absent fathers must move in together to raise the children as a family, leaving…
…a down-on-his-luck gambling addict to find a way to provide his rebellious teenage daughter the stability she needs.
…a hot-headed man’s man to accept his teenage son’s homosexuality.
…and a serial womaniser to finally grow up and be the father his young daughter longs for.

But will their kids ever accept these men as the fathers they’ve never had?
With social services, loan sharks, and old habits always lurking, will this new, unconventional family fail as everyone expects…
Or can these men save their children from going off the rails and repeating their own mistakes?
Will they become the fathers their children need them to be?

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Another Crowdfunding venture – Kate Toon’s poetry, via Pozible

My good mate Kate Toon yet again puts her hand up for the hardest working mum award! I’ve known Kate for well over a decade when we both emigrated to Oz and worked for Singleton Ogilvy & Mather‘s first interactive division in 1999.

We lost touch for a few years when Kate returned to England ( it was pre Facebook!) but met up again when Kate returned to Sydney in 2007ish, and through our mutual interest in film, theatre and digital media have become good friends.

I was thrilled to produce and direct the short film of her award winning play ‘Bomb Disposal‘ which we renamed ‘The Postcard

Anyhoo, as well as Mum, SEO and copywriting guru, and playwright, Kate is about to become a published poet, using Pozible to raise funds,

Check out her project here

Hope you can spare a few bob to help her in her cause.

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No sooner had I published this post, saw this article in Screenhub – an interview with Pozible Founder Rick Chen

Rick Chen: everything is Pozible
by: Anne Richey
Screen Hub

Wednesday 25 January, 2012
In a world where everything costs money and funding grants are scarce, how do you find the resources to create your masterpiece? The impossible just became Pozible.

The crowdfunding site Pozible has been operating for around 18 months now, and although it’s still quite a new concept, it’s going well. They currently have around 200-300 large projects listed, across various artforms including film, art, community, design, fashion, photography, technology and writing.

Pozible co-founder Rick Chen pointed out that people are becoming more and more comfortable with the crowdfunding concept, and they’ve found that around 40% of these projects are successful at raising their target amount.

The projects which tend to work the best on the site are those which “have a project creator with a real passion,” according to Rick. He’s found that it doesn’t matter what they’re doing as long as they have a passion for it. It also helps if friends and family are aware of the project. “That sort of thing generally works really well because once you put it out…you receive support from people you know instantly,” Rick said. He added that it also works very well for people with a large fan base such as musicians or filmmakers.

Around 37% of the projects listed on the site are from filmmakers.

If the target amount is reached, any amounts above and beyond the 100% are also transferred to the artist. There’s no upper limit and the portal remains open right up to the deadline. Some projects have raised 200% or 300% more than they were aiming for.

If the target amount isn’t reached, then no money is transferred.

Pozible generally takes 7.5% of donations in administrative costs, but this is reduced to 5% if people are members of their partner organisations. Their partners include APRA/ACMOS, QPIX, Emerging Writers’ Festival, Sydney Film School, Metro Screen, Creative Sydney, Wide Angle Tasmania and ANAT.

They work with some government agencies as well, including Music Victoria and Music NSW. They also have people referred to their site through government agencies when they’re ineligible for grants.

Charitable projects aren’t supported by Pozible at the moment as they have traditional and stable funding strands. They instead “wanted to open a new door to the creative industry, which generally doesn’t have a lot of options to raise money for their projects.”

Rick became involved through the Sydney arts scene. He and co-founder Alan Crabbe were working with a lot of digital artists, and they found that many of the artists were looking for a way to pre-sell their goods. Providing a platform for crowdfunding seemed like the best way to achieve this goal.

At the time, Pozible was called Fundbreak. The change of name occurred when they discovered that they couldn’t get the ‘Fundbreak’ registered as a business name.

Ross Hill, the co-founder of The Awesome Foundation in Melbourne with Edward Harran, works in the same office as Rick. Rick has known him for a long time, and a collaboration with them was always on the cards.

Rick described how the decision to join forces came very naturally, and surprised none of their co-workers in their creative office area. It’s also had a very positive reaction from the public, and “people see that sort of thing more and more in the future as well, and from our end, we wanted to push it even more into other philanthropic foundations, even government grants in the future if that’s possible.”

Rick will be a member of the second Awesome Foundation which is starting up in Melbourne. They’ll be giving out their first grants on 22nd of February at a Mega Grant Party. Their first grant will be for $3,000 plus.

They’re fundraising for the party on Pozible, and people who donate $50 to the party are able to vote for the recipient of the Mega Grant.

Generally though, anyone who applies through the Awesome Foundation website or through the Pozible website is put into a pool, and the top ten will then be taken to the board and the one with the most votes wins the money.

The aim is to donate $1000 to one project each month with no strings attached. The criteria is that the recipient must have ‘the most awesome crazy brilliant idea as voted by the foundation.’

Rick suggested that for filmmakers in particular, it would be an excellent time to apply for The Awesome Foundation grant and to list their projects on Pozible.

Anne Richey
Anne Richey is a screenwriter and Screen Hub’s assistant editor.

Side by side : A documentary about the science, art and impact of digital cinema.

For almost one hundred years there was only one way to make a movie — with film

The documentary investigates the history, process and workflow of both digital and photochemical film creation. We show what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital–where we are now, how we got here and what the future may bring.

Side by Side Official Trailer (2012) from Company Films on Vimeo.

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YouTube spends $100 million to redefine TV

Beginning this month, YouTube is gambling $100 million that by seeding professional production firms such as Young Hollywood — whose slate of YouTube-only programming premieres Monday — it will draw more eyeballs for longer viewing sessions.

Read more: http://www.theprovince.com/entertainment/YouTube+spends+million+redefine/6002905/story.html#ixzz1jmlzHqjX

YouTube spends $100 million to redefine TV.

Rebirth of the Mixtape

The mixtape has sadly not been part of my life for well over a decade now
I can recall at about aged 14 taping my favourite tracks from the Top 40 onto cassette, cursing myself if I pressed Record too early and had some drivel spoken by Dave Lee Travis or Kid Jensen, whoever was the deejay.
Once I started buying music, I then started compiling my own mixtapes to swap with friends and (prospective) girlfriends just to show how cool and cutting edge i was(nt)

Then of course Mr John Peel entered my world and changed the way I appreciated music forever.
The mixtape was rejuvenated.

At 19, I blew all of my first year student loan on a pair of Technics 1210‘s and then the challenge became to mix a whole side without any duff beats. Some challenge!
I can recall sending tapes to mates at other uni’s around England, and receiving tapes back from them.

Sadly the mixtape for me died a death in about 1995.

So I was very very pleased to see the Everyones Mixtape website where you compile your own mixtape by dragging urls from YouTube or SoundCloud or Vimeo.

Here’s my first mixtape “Sundowners”

http://everyonesmixtape.com/e/#nLbYSEt49YNR

Gadget of the week – smart televisions

Gadget of the week – smart televisions.

Article by Simon Sharwood in My Businss
‘Smart’ televisions are a hot topic at the annual Consumer Electronics Show. We think they’re important because they will change consumer behaviour by bringing the Web into the lounge room.

The annual Consumer Electronics Show in Las Vegas is a four-day orgy of new gadgetry that sets agendas for the coming year. About 140,00 people attend, which strains even Las Vegas’ capacity for hotel rooms.

In 2011 the show’s big sensation was tablet computers, as several manufacturers lined up to take on the iPad.

So far, the 2012 event has generated a lot of excitement about ‘Smart’ TVs that can go online and deliver on-demand video.

Moshcam’s first live stream a huge success

Been talking with John and Paul from Moshcam.com for a few years now in regards to their online video strategy for the site. They’ve done enormously well to get to 4years old, with over 1000 gigs on their site and some terrific viewing figures, with limited revenue generation.

As I keep on saying, monetisation only occurs once you have a big archive of content and and healthy audience numbers. now that Moshcam have acquired both, its time to take to the next step of commercialisation and monetisation. Live streaming is one such premium content method.

On Saturday 7th January 2012 we live streamed The Dresden Dolls, from The Enmore Theatre in Sydney with huge viewing figures all over the world.

Press release:
This was our very first real time live stream online and by any measure it went rather well. The webcast trended number 1 on Twitter globally as fans gathered in their thousands to watch, even though it was 2am in Los Angeles, 5am in New York, and in Europe they watched over cornflakes and croissants.

As always, you can watch the full gig on Moshcam. It’s a glorious set full of Dresden Dolls classics, including ‘Coin Operated Boy‘, ‘Half Jack‘ and ‘Mandy Goes To Med School‘. But if covers are your thing,there’s more than a few to keep you satisified, including T-Rex’s ‘Cosmic Dancer, Nick Cave’s ‘The Mercy Seat and an inspired romp through the Beastie Boys ‘Fight For Your Right.

Watch the whole gig here

Filmsourcing Career Guide

C Filmsourcing.com

Tom Stoppard and Film v Theatre

Gutted I missed this but luckily The Wheeler Centre have made the on-demand available.

Tom Stoppard joins us to speak about a career that spans nearly half a century. The winner of an Academy Award, four Tonys and a Gold Lion, he’s joined in discussion by writer and critic Alison Croggon.

http://wheelercentre.com/videos/video/tom-stoppard/#