The Convergence Review is released

Convergence_Review_Final_Report
Government releases Convergence Review final report

The Minister for Broadband, Communications and the Digital Economy, Senator Stephen Conroy, has today released the final report of the independent Convergence Review Committee.

“The Convergence Review’s final report sets out the Committee’s recommendations for the future of the media and communications industry,” Senator Conroy said.

“In preparing their recommendations the Convergence Review engaged in a comprehensive nationwide consultation program with stakeholders and the Australian public, including three separate written submission processes.”

“The Gillard Government decided to undertake the Convergence Review in recognition that our media and communications regulatory framework needs refreshing at a time of significant change,” Senator Conroy said.

“The Government’s approach to regulatory reform builds on our substantial communications reform agenda, which includes the delivery of the NBN and digital television switchover.”

“The release of the report provides an opportunity for stakeholders to engage with the Committee’s recommendations. I expect the recommendations will generate robust public debate,” Senator Conroy said.

“The government will respond to the report in due course.”

“I want to thank the Convergence Review Committee, led by Glen Boreham, for its analysis of the media and communications regulatory framework and its future direction. The report is an important contribution to the ongoing public and policy debate for the industry.” Senator Conroy said.

The Convergence Review Final Report can be found at: www.dbcde.gov.au/convergence

The Convergence Review is 177 pages and covers a wide range of issues facing the media.

Here is a short summary of some of the report’s main recommendations:

-Recommendation for establishment of two separate regulatory bodies: one a statutory body and the other self regulated.

-The Statutory Regulator is to replace the Australian Communications and Media Authority; incorporate Classification Board and make rules on Australian content.

-The industry led body will cover TV, radio, online and print and will review news and commentary standards. It will replace the existing Australian Press Council.

– ABC and SBS are not required to participate in the industry-led body but must develop their own codes that take into account the new body’s standards

– ABC and SBS Charters to be updated with a requirement that 55 per cent quota apply to Australian content on the ABC and half that for SBS

– Rejects Finkelstein report recommendation for outlets which distributes more than 3000 copies of print per issue or a news site with a minimum of 15 000 hits per year on the grounds that it is “far too low” and very “resource-intensive”

– The licensing of broadcasting services to cease Commercial free-to-air broadcasters licence fees, calculated as a percentage of revenues, would be abolished in favour of a market-based approach to pricing broadcasting spectrum.

– Regulation of media ownership, media content standards and Australian and local content to continue

– Major media outlets to be classified ‘content service enterprises’ (CSE) and regulated based on their size and scope, rather than how they deliver their content

– A CSE is defined by: the professional content they deliver; large number of Australian users of that content; high level of revenue

– All CSEs contribute to a “uniform content scheme” for the production of Australian content.

– Review recommends threshold levels for CSE initially should be around $50 million a year of Australian-sourced content service revenue and audience/users of 500 000 per month, thus potentially excluding Google, Apple and Telstra

– Major international online and media enterprises, such as potentially YouTube, would be required to contribute to producing local content

– A ‘minimum number of owners’ rule and a ‘public interest test ‘ replace the current ‘75 per cent audience reach’ rule, the ‘2 out of 3’ rule, the ‘two-to-a-market’ rule and the ‘one-to-a-market’ rules of media ownership.

– Convergence Review findings to be implemented three stages

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The Social TV Factor – white paper from Futurescape

The Social TV Factor – white paper

How Social TV impacts the TV business

Download the free 18 page white paper on the latest developments in the fast-moving Social TV sector.

Adapted from Futurescape’s strategy report, Social TV.

Speaking on mobile video at AIMIA MIG

The next Mobile Industry Group meeting is just around the corner and following the results of the survey circulated last month, we now have a new meeting time!

MIG meetings will now be held on the first Monday of the month with the next meeting scheduled for Monday 7th of May from 3:30- 5:30pm.

This month’s meeting is not to be missed; we’ll be joined by Nick Bolton from Viocorp to discuss Mobile Video, Robert Wong (AIMIA Retail Industry Group chair) will present a run down on the retail industry and its strategy for mobile and we will be reviewing the current communications strategy.

As we would like your ideas on guest speakers for the next few meetings, please note the topics for the upcoming months:

Mobility and cross device experiences
Web/hybrid/Native Apps
The minutes from the previous meeting can be found here and the complete meeting agenda can be found here.

Full meeting details are as follows:

Date: Monday 7 May 2012
Time: 3:30-5:30pm
Venue: Nokia Offices: Level 21, 1 Market Street, Sydney 2000

Tamarama Rock Surfers announce 2012 season – including The Interview

The Tamarama Rock Surfers Theatre Company are proud to announce our 2012 season of works at the Old Fitzroy and Bondi Pavilion Theatres. 2012 marks the Rocks Surfers 15th year producing, presenting and creating the best independent theatre in Australia. Click here to check out all the shows

And we’re delighted to be involved again with the Australian premiere of The Interview by Theo Van Gogh

When a jaded war correspondent interviews a young pop super-starlet who will win the ensuing power battle? In a world of celebrity what is truth?

Dreamhouse Artists is a conglomerate of like minded artists who like to tell stories and delve deep into the worlds of the plays they produce. The Interview brings back together the team from Bondi Dreaming: Nick Bolton’s producing , Sam Atwell’s directing , Alon Ilsar’s Musical Directing, Tom Bannerman’s on set and design.

We win the NIDA Independent Program for SET

Very excited that Sam Atwell and I have been selected as one of the four inaugural winners of the NIDA Independent Program. In April 2013, Sam’s new play SET will premiere at The NIDA Parade Theatre.

Season 4 (25 April – 19 May 2013)
SET by Sam Atwell, directed by Sam Atwell (Dreamhouse Artists)

SET is a new murder mystery by writer/director of Bondi Dreaming and regular writer for Home and Away, Sam Atwell. Taking us behind the scenes of an Australian TV soap opera, SET takes a satirical look at the glamorous world of celebrity and the cogs of the machine that makes it turn.

ABOUT THE NIDA INDEPENDENT PROGRAM:
In 2012, NIDA is looking to broaden its vision and develop a program to provide greater opportunities for artists/companies (both emerging and established) to extend their theatre practice and develop new work and theatre forms. The NIDA Independent Program will be open to the exploration of new work and creative forms as well as the re-invention of classic and contemporary texts.

More information at the NIDA website here

Live streaming of Macbeth for Bell Shakespeare

Viocorp were again commissioned to live stream the Q&A with the Cast and Crew of Bell Shakespeare‘s latest production of Macbeth.

Macbeth is one of my favourite Shakespeare plays, having studied it at English A-Level. 22 years ago my Dad took me to Stratford upon Avon, the home of Shakespeare to see a production there. Dad was visiting me in Sydney so it was great to take him to see it again. Not quite sure he understood the concept of live streaming and twitter questions!

Its a great production – a sparse heathen set, with clouded mirrors overhead create an eerie atmosphere which is backed up by an excellent score. I loved the high pitch piercing sund whenrver Mcbeth was on his own – the sign of madness.

Colin Moody was excellent as Duncan, Kate Mulvany brought a delicious wickedness to the role of Lady Macbeth – she reminded me of many of today’s C-List celebrities focussed in their quest for their 5 minutes of fame.
Spielman was very good yet I found him miscast – he just didn’t look like a soldier or a leader to me.
The star for me was Lizzie Schebesta (below) who channelled all three witches, in a very erotic manner, flirting with Macbeth magnificently, complete with microphone to distort her voice. She also played supporting roles including young sons to great effect.

The live webcast:
Have you got a question for Peter Evans? Or for Dan Spielman or Kate Mulvany? It’s your chance to ask the director and our panel of actors about the show.

Join us online and post your questions live on the conversation feed or tweet them with #BellQA.

See you tonight!

See you then!Macbeth – brave, strong and patriotic – happens upon three witches who predict he will soon be King. It’s a prophecy he distrusts but one his wife becomes utterly seduced by. Peter Evans, Bell Shakespeare’s Associate Artistic Director, fulfills a long-held ambition to collaborate with Dan Spielman in the title role, and Kate Mulvany who plays his highly erotic wife.

This season’s Macbeth reveals what the lure of power can do to a marriage and the devastation it can wreak on a nation.